![]() In an early scene, she was to save people by doing “super-athletic martial arts things,” says Nguyen. Namaari, Raya’s friend-turned-nemesis, hews more closely to this archetype, but she too changed a lot in development. The filmmakers wanted to avoid the “boring trope” of a quiet badass, like Uma Thurman’s Bride in Kill Bill: “It’s hard for a kid to want to be that … there’s no personality there to attain as a kid.” ![]() “There was a very stereotypical samurai story that you could tell - which we could easily have fallen into,” says Nguyen. ![]()
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